Tag Archives: books

A Brief History of the Mass-Market Paperback

7 May

Smithsonian Magazine has a short post on the origin of the paperback book in the United States:

Robert Fair de Graff realized he could change the way people read by making books radically smaller. Back then, it was surprisingly hard for ordinary Americans to get good novels and nonfiction. The country only had about 500 bookstores, all clustered in the biggest 12 cities, and hardcovers cost $2.50 (about $40 in today’s currency).

De Graff revolutionized that market when he got backing from Simon & Schuster to launch Pocket Books in May 1939. A petite 4 by 6 inches and priced at a mere 25 cents, the Pocket Book changed everything about who could read and where.

Per Wikipedia, the first ten numbered Pocket Book titles were:

  1. Lost Horizon by James Hilton
  2. Wake Up and Live by Dorothea Brande
  3. Five Great Tragedies by William Shakespeare
  4. Topper by Thorne Smith
  5. The Murder of Roger Ackroyd by Agatha Christie
  6. Enough Rope by Dorothy Parker
  7. Wuthering Heights by Emily Brontë
  8. The Way of All Flesh by Samuel Butler
  9. The Bridge of San Luis Rey by Thornton Wilder
  10. Bambi by Felix Salten

An important note: the Pocket Books were the first paperback books in the U.S.  But it was Albatross Booksa German publishing house based in Hamburg. that produced the first modern mass market paperback books.

Albatross was founded in 1932 by John Holroyd-Reece, Max Wegner and Kurt Enoch. The name was chosen because “Albatross’ is the same word in many European languages. Based on the example of Tauchnitz, a Leipzig publishing firm that had been producing inexpensive and paperbound English-language reprints for a continental market, Albatross set about to streamline and modernize the paperback format.

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Related
: How the paperback novel changed popular literature (also from Smithsonian Magazine)

Why Amazon Acquired Goodreads

7 Apr

According to an industry research group Codex, about 19 percent of Americans do 79 percent of all our (non-required) book reading. This post at The Atlantic, then, summarizes why Amazon acquired Goodreads:

And the way those avid readers find their books is changing. According to Codex’s quarterly survey (in 2012, the company interviewed some 30,000 readers total), far fewer people are finding their reading material at brick and mortar bookstores than two years ago. Instead, they’re relying more on online media (including social networks and author websites) and personal recommendations from people they know (which tend to happen in person, but can also include some social network chatting). What they’re not relying on much more heavily are recommendation engines from online booksellers, like Amazon.

I actually reasoned the numbers would be further skewed, something like 5% of Americans do 95% of our non-required reading. I would like to see more than one source for this statistic.

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(Hat tip: Tim O’Reilly)

The End of Everything

7 Apr

A great op-ed in The Washington Post on the proliferation of the “end of” in publishing:

Nature and truth. Money and markets. Men and marriage. Faith and reason. They’ve all ended. Power ended in March, but that makes sense because leadership ended last year. History ended more than two decades ago, while the future ended just two years ago.

If you thought these things were still around, just pick up “The End of Sex,” by Donna Freitas, published last week, or Moises Naim’s “The End of Power,” which came out last month. Try David Wolman’s “The End of Money” or David Agus’s “The End of Illness.” Those came out in 2012, the same year that Hanna Rosin affirmed “The End of Men” and John Horgan imagined “The End of War.”

What do you think will end next?

On Browsing Books

6 Mar

Claire Barliant reflects on the art of browsing books, and finding what you didn’t know what you were looking for in a book next to the one you were searching for:

Along with embossed hardcovers or tattered paperbacks, the “book beside the book” will soon seem quaint. You know the feeling: searching for something specific and stumbling on another book you’ve been curious about, then finding yourself, almost involuntarily, leaning against a wall or sinking onto a footstool, happily giving up the next half hour of your life. I’m sure some people think of browsing as an invitation to distraction, but I like to think of it an intellectual stroll. Some paths lead to meaningless cul-de-sacs, others to revelations. The tactile process of pulling out a stack of books and flipping through them is, to me, more stimulating than toggling between the windows open on my Web browser. Even the nomenclature “browser” is worth noting: it removes our agency. The software does the browsing. Not us. Browsing is fundamentally an act of independence, of chasing your own idiosyncratic whims rather than clicking on Facebook links or the books recommended by some greedy algorithm.

In the end, where she wonders “where will we randomly stumble on the knowledge we didn’t even know we wanted to know?” my answer to her is: Reddit.

Bill Gates on a Reddit “Ask Me Anything”

11 Feb

Bill Gates took to Reddit this afternoon to do an “Ask me Anything.”  Here were a selection of my favorite questions and answers.

What do you give a man who can buy almost everything?

Q: What do people give you for your birthday, given that you can buy anything you want?

A: Free software. Just kidding.

Books actually.

On Windows…

Q: Windows 7 or Windows 8? Be honest Bill.

A: Higher is better.

And one more:

Q: Since becoming wealthy, what’s the cheapest thing that gives you the most pleasure?

A: Kids. Cheap cheeseburgers. Open Course Ware courses…

Cheap kids? Where is acquiring them from? Bill’s answer is hilarious.

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Bill Gates does a great job reviewing books on his Web site. Here are his favorite books from 2012, which I recommend perusing.

Alan Sepinwall on the Origins of LOST

28 Nov

Alan Sepinwall, writing for Grantland, recounts the origins of the hit TV show LOST, as told by the people who made it, in an exclusive first serial excerpt from The Revolution Was Televised:

On vacation with his family in Hawaii, Braun watched his network’s broadcast of the Tom Hanks movie Cast Away, then went down to the beach to watch the sunset and meet up with his wife and kids. As he waited, he began pondering the idea of doing Cast Awayas a TV show, but couldn’t figure out how to make it work with only one actor and one volleyball.

“And then the notion of Survivor popped into my head,” recalls Braun. “I don’t know why. And I put it all together: What if there was a plane that crashed and a dozen people survived, and nobody knew each other. Your past was almost irrelevant. You could reinvent who you were. You had to figure out — how do you survive? What do you use for shelter, for water? Is it like Lord of the Flies? How do we get off the island, how do you get home? And I start to get very excited about the idea, and I start thinking about the title Lost.”

Also interesting and surprising was how one of the writers of LOST, Damon Lindelof, reacted to the show’s premiere:

Lindelof, on the other hand? He describes his response to those huge premiere ratings as “Terror, depression, anxiety, anxiety attacks. I’m not exaggerating. Everybody who was around me at the time knows I pretty much wanted to die, and knowing that wasn’t going to happen unless I took matters into my hands, I just wanted to quit. But there was literally no one to quit to.”

Cuse says, “I remember [Lindelof] coming in with the ratings after the opening episode, and he looked completely miserable. He said, ‘Does this mean we have to keep fucking doing this?’ If you’re a producer in television, this is like getting a winning lottery ticket: having a show that’s not only critically acclaimed but gets big ratings. But it was daunting to have to sustain this thing.”

I’ve placed Alan Sepinwall’s The Revolution was Televised on my Christmas wish-list.

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As some of you may know, LOST is my favorite TV show (to this day). Here was my reflection six months after the show ended.

(hat tip: Longreads)

The New York Times Book Review’s 100 Notable Books of 2012

27 Nov

The New York Times Book Review just unveiled their list of 100 notable books of 2012. It’s well worth perusing. Here is their list of the best 2012 fiction/poetry:

ALIF THE UNSEEN. By G. Willow Wilson. (Grove, $25.) A young hacker on the run in the Mideast is the protagonist of this imaginative first novel.

ALMOST NEVER. By Daniel Sada. Translated by Katherine Silver. (Graywolf, paper, $16.) In this glorious satire of machismo, a Mexican agronomist simultaneously pursues a prostitute and an upright woman.

AN AMERICAN SPY. By Olen Steinhauer. (Minotaur, $25.99.) In a novel vividly evoking the multilayered world of espionage, Steinhauer’s hero fights back when his C.I.A. unit is nearly destroyed.

ARCADIA. By Lauren Groff. (Voice/Hyperion, $25.99.) Groff’s lush and visual second novel begins at a rural commune, and links that utopian past to a dystopian, post-global-warming future.

AT LAST. By Edward St. Aubyn. (Farrar, Straus & Giroux, $25.) The final and most meditative of St. Aubyn’s brilliant Patrick Melrose novels is full of precise observations and glistening turns of phrase.

BEAUTIFUL RUINS. By Jess Walter. (Harper/HarperCollins, $25.99.) Walter’s witty sixth novel, set largely in Hollywood, reveals an American landscape of vice, addiction, loss and disappointed hopes.

BILLY LYNN’S LONG HALFTIME WALK. By Ben Fountain. (Ecco/HarperCollins, $25.99.) The survivors of a fierce firefight in Iraq are whisked stateside for a brief victory tour in this satirical novel.

BLASPHEMY. By Sherman Alexie. (Grove, $27.) The best stories in Alexie’s collection of new and selected works are moving and funny, bringing together the embittered critic and the yearning dreamer.

THE BOOK OF MISCHIEF: New and Selected Stories. By Steve Stern. (Graywolf, $26.) Jewish immigrant lives observed with effusive nostalgia.

BRING UP THE BODIES. By Hilary Mantel. (Macrae/Holt, $28.) Mantel’s sequel to “Wolf Hall” traces the fall of Anne Boleyn, and makes the familiar story fascinating and suspenseful again.

BUILDING STORIES. By Chris Ware. (Pantheon, $50.) A big, sturdy box containing hard-bound volumes, pamphlets and a tabloid houses Ware’s demanding, melancholy and magnificent graphic novel about the inhabitants of a Chicago building.

BY BLOOD. By Ellen Ullman. (Farrar, Straus & Giroux, $27.) This smart, slippery novel is a narrative striptease, as a professor listens in on the sessions between the therapist next door and her patients.

CANADA. By Richard Ford. (Ecco/Har­perCollins, $27.99.) A boy whose parents rob a bank in Montana in 1960 takes refuge across the border in this mesmerizing novel, driven by fully realized characters and an accomplished prose style.

CARRY THE ONE. By Carol Anshaw. (Simon & Schuster, $25.) Anshaw pays close attention to the lives of a group of friends bound together by a fatal accident in this wry, humane novel, her fourth.

CITY OF BOHANE. By Kevin Barry. (Graywolf, $25.) Somewhere in Ireland in 2053, people are haunted by a “lost time,” when something calamitous happened, and hope to reclaim the past. Barry’s extraordinary, exuberant first novel is full of inventive language.

COLLECTED POEMS. By Jack Gilbert. (Knopf, $35.) In orderly free verse constructions, Gilbert deals plainly with grief, love, marriage, betrayal and lust.

DEAR LIFE: Stories. By Alice Munro. (Knopf, $26.95.) This volume offers further proof of Munro’s mastery, and shows her striking out in the direction of a new, late style that sums up her whole career.

THE DEVIL IN SILVER. By Victor LaValle. (Spiegel & Grau, $27.) LaValle’s culturally observant third novel is set in a shabby urban mental hospital.

ENCHANTMENTS. By Kathryn Harrison. (Random House, $27.) Harrison’s splendid and surprising novel of late imperial Russia centers on Rasputin’s daughter Masha and the hemophiliac ­czarevitch Alyosha.

FLIGHT BEHAVIOR. By Barbara Kingsolver. (Harper/HarperCollins, $28.99.) An Appalachian woman becomes involved in an effort to save monarch butterflies in this brave and majestic novel.

FOBBIT. By David Abrams. (Black Cat/Grove/Atlantic, paper, $15.) Clerks, cooks and lawyers at a forward operating base in Iraq populate this first novel.

THE FORGETTING TREE. By Tatjana Soli. (St. Martin’s, $25.99.) In Soli’s haunting second novel, a mysterious Caribbean woman cares for a cancer patient on an isolated California ranch.

GATHERING OF WATERS. By Bernice L. McFadden. (Akashic, $24.95.) Three generations of black women confront floods and murder in Mississippi.

GODS WITHOUT MEN. By Hari Kunzru. (Knopf, $26.95.) Related stories, spanning centuries and continents, and all tethered to a desert rock formation, emphasize interconnectivity across time and space in Kunzru’s relentlessly modern fourth novel.

HHhH. By Laurent Binet. Translated by Sam Taylor. (Farrar, Straus & Giroux, $26.)This gripping novel examines both the killing of an SS general in Prague in 1942 and Binet’s experience in writing about it.

A HOLOGRAM FOR THE KING. By Dave Eggers. (McSweeney’s, $25.) Eg­gers’s novel is a haunting and supremely readable parable of America in the global economy, a nostalgic lament for a time when life had stakes and people worked with their hands.

HOME. By Toni Morrison. (Knopf, $24.) A black Korean War veteran, discharged from an integrated Army into a segregated homeland, makes a reluctant journey back to Georgia in a novel engaged with themes that have long haunted Morrison.

HOPE: A TRAGEDY. By Shalom Auslander. (Riverhead, $26.95.) Hilarity alternates with pain in this novel about a Jewish man seeking peace in upstate New York who discovers Anne Frank in his ­attic.

HOW SHOULD A PERSON BE? By Sheila Heti. (Holt, $25.) The narrator (also named Sheila) and her friends try to answer the question in this novel’s title.

IN ONE PERSON. By John Irving. (Simon & Schuster, $28.) Irving’s funny, risky new novel about an aspiring writer struggling with his sexuality examines what happens when we face our desires honestly.

A LAND MORE KIND THAN HOME. By Wiley Cash. (Morrow/HarperCollins, $24.99.) An evil pastor dominates Cash’s mesmerizing first novel.

MARRIED LOVE: And Other Stories. By Tessa Hadley. (Harper Perennial, paper, $14.99.) Hadley’s understatedly beautiful collection is filled with exquisitely calibrated gradations and expressions of class.

NW. By Zadie Smith. (Penguin Press, $26.95.) The lives of two friends who grew up in a northwest London housing project diverge, illuminating questions of race, class, sexual identity and personal choice, in Smith’s energetic modernist novel.

ON THE SPECTRUM OF POSSIBLE DEATHS. By Lucia Perillo. (Copper Canyon, $22.) Taut, lucid poems filled with complex emotional reflection.

PURE. By Julianna Baggott. (Grand Central, $25.99.) Children battle for the planet’s redemption in this precisely written postapocalyptic adventure story.

THE RIGHT-HAND SHORE. By Christopher Tilghman. (Farrar, Straus & Giroux, $27.) A dark, magisterial novel set on a Chesapeake Bay estate.

THE ROUND HOUSE. By Louise Erdrich. (Harper/HarperCollins, $27.99.) In this novel, an American Indian family faces the ramifications of a vicious crime.

SALVAGE THE BONES. By Jesmyn Ward. (Bloomsbury, $24.) A pregnant 15-year-old and her family await Hurricane Katrina in this lushly written novel.

SAN MIGUEL. By T. Coraghessan Boyle. (Viking, $27.95.) Two utopians from different eras establish private idylls on California’s desolate Channel Islands; this novel preserves their tantalizing dreams.

SHINE SHINE SHINE. By Lydia Netzer. (St. Martin’s, $24.99.) This thought-provoking debut novel presents a geeky astronaut and his pregnant wife.

SHOUT HER LOVELY NAME. By Natalie Serber. (Houghton Mifflin Harcourt, $24.)The stories in Serber’s first collection are smart and nuanced.

SILENT HOUSE. By Orhan Pamuk. Translated by Robert Finn. (Knopf, $26.95.) A family is a microcosm of a country on the verge of a coup in this intense, foreboding novel, first published in Turkey in 1983.

THE STARBOARD SEA. By Amber Dermont. (St. Martin’s, $24.99.) Dermont’s captivating debut novel, whose narrator is a boarding school student and a sailor, takes pleasure in the sea and in the exhilarating freedom of being young.

SWEET TOOTH. By Ian McEwan. (Nan A. Talese/Doubleday, $26.95.) The true subject of this smart and tricky novel, set inside a cold war espionage operation, is the border between make-believe and reality.

SWIMMING HOME. By Deborah Levy. (Bloomsbury, paper, $14.) In this spare, disturbing and frequently funny novel, a troubled young woman tests the marriages of two couples.

TELEGRAPH AVENUE. By Michael Chabon. (Harper/HarperCollins, $27.99.)Chabon’s rich comic novel about fathers and sons in Berkeley and Oakland, Calif., juggles multiple plots and mounds of pop culture references in astonishing prose.

THE TESTAMENT OF MARY. By Colm Toibin. (Scribner, $19.99.) This beautiful work takes power from the surprises of its language and its almost shocking characterization of Mary, mother of Jesus.

THIS IS HOW YOU LOSE HER. By Junot Díaz. (Riverhead, $26.95.) The stories in this collection are about love, but they’re also about the undertow of family history and cultural mores, presented in Díaz’s exciting, irresistible and entertaining prose.

THREE STRONG WOMEN. By Marie NDiaye. Translated by John Fletcher. (Knopf, $25.95.) In loosely linked narratives, three women from Senegal struggle with fathers and husbands in France. This subtle, hypnotic novel won the Prix Goncourt in 2009.

TOBY’S ROOM. By Pat Barker. (Doubleday, $25.95.) This novel, a sequel to “Life Class,” delves further into the lives of an English family torn apart by World War I.

WATERGATE. By Thomas Mallon. (Pantheon, $26.95.) This novelistic re­imagining of the “third-rate burglary” proposes surprising motives for the break-in and the 18-minute gap, and has a sympathetic Nixon.

WHAT WE TALK ABOUT WHEN WE TALK ABOUT ANNE FRANK: Stories.By Nathan Englander. (Knopf, $24.95.) Englander tackles large questions of morality and history in a masterly collection that manages to be both insightful and ­uproarious.

THE YELLOW BIRDS. By Kevin Powers. (Little, Brown, $24.99.) A young private and his platoon struggle through the war in Iraq but find no peace at home in this powerful and moving first novel about the frailty of man and the brutality of war.

Click through to see the non-fiction list.

On Twitter, The Expanse and Beauty of #NYTBooks

1 Nov

The best thing on Twitter today was the sudden proliferation of the #NYTbooks hashtag. I don’t know who started the tag, but I participated in the festivities and loved reading through what others had to share. Here were some of my favorites:

And a couple by yours truly:

Did I mention I love Twitter?

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Update (11/1/12): The #NYTBooks meme began by Mother Jones’s Timothy Murphy, according to Poynter.

The Worst of DRM

22 Oct

This blog post offers a cautionary story on how Amazon can wipe out your entire account:

As a long-term writer about technology, DRM, privacy and user rights, this Amazon example shows the very worst of DRM. If the retailer, in this case Amazon, thinks you’re a crook, they will throw you out and take away everything that you bought. And if you disagree, you’re totally outlawed. Not only is your account closed, all your books that you paid for are gone. With DRM, you don’t buy and own books, you merely rent them for as long as the retailer finds it convenient.

One reason I still prefer to own physical books versus e-books.

Mo Yan: Winner of the 2012 Nobel Prize in Literature

11 Oct

Mo Yan has won the 2012 Nobel Prize for Literature. This NPR piece on Mo Yan’s writing caught my attention:

Among the works highlighted by the Nobel judges were Red Sorghum, The Garlic Ballads, and Big Breasts & Wide Hips. As NPR’s Lynn Neary reports on Morning Edition, “He’s said to be so prolific that he wrote Life and Death Are Wearing Me Out — which is a 500,000-word epic — in just 43 days. He wrote it with a brush — not a computer — because he says a computer would have slowed him down because he can’t control himself when he’s online; he always has to search up more information.”

I’ve placed Life and Death Are Wearing Me Out on my to-read list.

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