In this video, writer and Oscar-winning documentary maker Errol Morris talks about the nature of truth, art, and propaganda in photography. He draws examples from the photographs of Abu Ghraib and the Crimean war, cited in his book Believing is Seeing. One of the points he makes in this brief video: how does a photograph connect to the physical world? My favorite part comes at around the 3:00 mark, where Morris discusses whether a photograph can be true or false.