Who Owns Copyright in Space?

As a final sign-off for his mission aboard the International Space Station, Canadian astronaut Chris Hadfield performed David Bowie’s rendition of “Space Oddity.” The video has generated more than 15 million views on YouTube so far, and if you haven’t seen it yet, it’s worth it:

 

The Economist published a great explainer on how copyright works in space, applied to this rendition of “Space Oddity”:

The song “Space Oddity” is under copyright protection in most countries, and the rights to it belong to Mr Bowie. But compulsory-licensing rights in many nations mean that any composition that has been released to the public (free or commercially) as an audio recording may be recorded again and sold by others for a statutorily defined fee, although it must be substantively the same music and lyrics as the original. But with the ISS circling the globe, which jurisdiction was Commander Hadfield in when he recorded the song and video? Moreover, compulsory-licensing rights for covers of existing songs do not include permission for broadcast or video distribution. Commander Hadfield’s song was loaded onto YouTube, which delivers video on demand to users in many countries around the world. The first time the video was streamed in each country constituted publication in that country, and with it the potential for copyright infringement under local laws. Commander Hadfield could have made matters even more complicated by broadcasting live as he sang to an assembled audience of fellow astronauts for an onboard public performance while floating from segment to segment of the ISS.

That is because the space station consists of multiple modules and other pieces (called “elements”) under the registration of the United States, the European Space Agency (ESA) consortium, Russia and Japan. The agreement governing the ISS makes it clear (in Article 5) that the applicable laws, including those governing IP rights, depend on which part of it an astronaut is in. This is most relevant when astronauts conduct science or write accounts of their work, whether for public or private parties, although equally true during their off hours. The audio and video seem to have been recorded in the Destiny module, owned by America’s space agency, NASA, the Cupola, which previously owned by the ESA (and would thus have been governed by European law) but was transferred to NASA in 2005, and the Japanese Experiment Module, developed by Japan’s aerospace agency, JAXA. The video was transmitted to Canada (probably through ground stations around the globe), where Mr Bowie’s former bandmate Emm Gryner added a piano accompaniment and others edited and produced the final product. But recording a private performance does not violate any laws; a violation only occurs if the material is publicly distributed. Had the song been broadcast from space, Mr Bowie’s lawyers would have been entitled to seek redress in Canadian, American and Japanese courts, in addition to any objections they might have raised based on YouTube views elsewhere.

Turns out the making of this video took months of preparation, as Commander Hadfield had obtained permission to record and distribute the song; production and distribution of the song was entirely terrestrial.

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(via kottke)

The Girl Who Turned to Bone

Carl Zimmer, writing for The Atlantic, reports on a very rare disease called fibrodysplasia ossificans progressiva (FOP) and a girl named Jeannie Peeper who’s lived with it and decided to bring people with the disease together:

In 1998, this magazine ran a story recounting the early attempts by scientists to understand fibrodysplasia ossificans progressiva. Since then, their progress has shot forward. The advances have come thanks in part to new ways of studying cells and DNA, and in part to Jeannie Peeper.

Starting in the 1980s, Peeper built a network of people with FOP. She is now connected to more than 500 people with her condition—a sizable fraction of all the people on Earth who suffer from it. Together, members of this community did what the medical establishment could not: they bankrolled a laboratory dedicated solely to FOP and have kept its doors open for more than two decades. They have donated their blood, their DNA, and even their teeth for study.

Four times a year, Peeper sent out a newsletter she called “FOP Connection.” She included questions people sent her—What to do about surgery? How do you eat when your jaw locks?—and printed answers from other readers. But her ambitions were much grander: she wanted to raise money for research that might lead to a cure. With a grand total of 12 founding members, she created the International Fibrodysplasia Ossificans Progressiva Association (IFOPA).

Peeper didn’t realize just how quixotic this goal was. FOP had never been Zasloff’s main area of research. As the director of the Human Genetics branch of the NIH, he had discovered an entirely new class of antibiotics, and in the late 1980s, he left the NIH to develop them at the Children’s Hospital of Philadelphia. His departure meant that no one—not a single scientist on Earth—was looking for the cause of FOP.

As a trivia side note, I had no idea there was a definition for a “rare disease”:

 A rare disease is defined as any condition affecting fewer than 200,000 patients in the United States. More than 7,000 such diseases exist, afflicting a total of 25 million to 30 million Americans.

Read the entire story here.

Why The Cockroach Baits Aren’t Working

A fascinating discovery was recently published in the magazine Science on perhaps the world’s most adaptable insect: the cockroach. From the abstract:

In response to the anthropogenic assault of toxic baits, populations of the German cockroach have rapidly evolved an adaptive behavioral aversion to glucose (a phagostimulant component of baits). We hypothesized that changes in the peripheral gustatory system are responsible for glucose aversion. In both wild-type and glucose-averse (GA) cockroaches, D-fructose and D-glucose stimulated sugar–gustatory receptor neurons (GRNs), whereas the deterrent caffeine stimulated bitter-GRNs. In contrast, in GA cockroaches, D-glucose also stimulated bitter-GRNs and suppressed the responses of sugar-GRNs. Thus, D-glucose is processed as both a phagostimulant and deterrent in GA cockroaches, and this newly acquired peripheral taste sensitivity underlies glucose aversion in multiple GA populations. The rapid emergence of this highly adaptive behavior underscores the plasticity of the sensory system to adapt to rapid environmental change.

As The New York Times notes, what this means is that the cockroach has somehow evolved a way to make glucose smell/taste bitter to it, and it can thus avoid modern-day traps that use glucose as a primary ingredient. Instead of taste buds, roaches have taste hairs on many parts of their bodies. The three North Carolina researchers concentrated on those around the mouth area and on two types of nerve cells that sense tastes and respond by firing electrical signals to the brain. One responds only to sugars and other sweet substances; the other responds only to bitter substances. Whenever a molecule of something sweet attaches to a sweet detector, it fires electrical impulses and the roach brain senses sweetness, which makes it want to eat whatever it is tasting. Whenever a molecule of something bitter attaches to the bitter detector, that cell fires and the brain senses bitterness, which makes the roach want to avoid that substance.

Evolutionary advantages like this have helped the cockroach endure for millions of years. Fascinating.

 

Tokyo City Symphony: Projecting Music and Images onto a Virtual Tokyo

The Tokyo City Symphony interactive website is a digital project that allows users to project images and music onto a miniature version of Tokyo, built to a 1:1,000 scale. Combining all the musical contributions to create a single symphony, the site is a wonderful example of a community effort.

To demonstrate an example, user “roppongi hills” came out with this beautiful, mind-blowing video:

 

Click through to go to the website, where you can make your own projection onto Tokyo in three versions: Future City, Rock City, and Edo City.

Dinner in the Sky: Hanger Steak is on the Menu

The Wall Street Journal reports on two Belgian entrepreneurs who thought people would pay lavish sums to dangle from a crane and have their meal too:

Their effort began here as a stunt six years ago, when publicist David Ghysels and crane specialist Stefan Kerkhofs seated 22 people around a chef and hoisted everybody 180 feet into the air for a meal. Today, the Dinner in the Sky franchise has tables dangling in more than 40 countries, serving about 1,000 people each month.

Rising to a city near you. As the WSJ suggests, yes, hanger steak is on the menu. Just make sure to go to the bathroom before your trip!

This was an interesting bit:

Expanding into Saudi Arabia posed a problem because of rules against men and women mixing socially. So rather than offering a single table, the company developed a cluster of six four-person tables served by tethered wait staff. The arrangement is now being offered as Lounge in the Sky. Two tables can be removed to make room for musicians or dancers, who perform in tethers similar to parachute harnesses.

Astro Teller Leads Google X

Brad Stone’s piece in Business Week on Google’s secret lab wouldn’t be the first thing I’ve read on the topic, but it’s worth a read nonetheless:

Some of the real projects in Google X sound almost as outlandish. Makani Power’s newest airborne turbine prototype, called Wing 7, is a 26-foot-long carbon-fiber contraption with four electricity-generating propellers that flies in circles at altitudes of 800 to 2,000 feet, sending power down a lightweight tether to a base station. “If we’re successful, we can get rid of a huge part of the fossil fuels we use,” says Damon Vander Lind, the startup’s chief engineer. Vander Lind acknowledges it might not work, but: “If you don’t take that chance, and put a decade of your life trying to do it, no progress will get made.”

Then there’s X’s still-secret project to bring Internet access to undeveloped parts of the world. A decade ago, David Grace, a senior research fellow at the University of York, spearheaded a project to mount broadband transmitters on high-altitude balloons, as part of a multicountry initiative backed by the European Commission, called the Capanina Consortium. The initiative never progressed beyond the experimental stage. Grace now says that he has heard that Google is working on such balloon-based broadband technology.

Last month, Google Chairman Eric Schmidt made the surprising pronouncement that “by the end of the decade, everyone on earth will be connected to the Internet.” Skeptics immediately noted that 60 percent of the world is not yet online and that there are many countries without even reliable telecommunications grids. Teller won’t confirm or even discuss such a project, though he concedes that wiring the planet would fall squarely into Google X’s purview. Grace says, “It does need the Googles of the world to push this forward.”

Perhaps the strangest thing about Google X? The man who runs it is named Astro Teller. You can’t make this stuff up.

When Lawyers and Courts Rely on Urban Dictionary

What do lawyers do when a witness or a defendant uses slang that can’t be found in the Webster’s Dictionary? Why, rely on the online site Urban Dictionary, as The New York Times reports:

The online site, created by a college freshman in 1999, has found itself in the thick of cases involving everything from sexual harassment to armed robbery to requests for personalized license plates, as courts look to discern meaning and intent in the modern lexicon.

Last month, Urban Dictionary was cited in a financial restitution case in Wisconsin, where an appeals court was reviewing the term “jack” because a convicted robber and his companion had referred to themselves as the “jack boys.”

The court noted, however, that according to Urban Dictionary, “jack” means “to steal, or take from an unsuspecting person or store.” It then rejected the convicted man’s claim that he should not have to make restitution to the owner of a van he stole to use in a robbery.

Awesome. Can’t tell you how often UD saved me from embarrassment.

Norbert Wiener’s The Machine Age, Published 64 Years Later

In 1949, The New York Times invited MIT mathematician Norbert Wiener to summarize his views about “what the ultimate machine age is likely to be,” in the words of its longtime Sunday editor, Lester Markel.

Wiener accepted the invitation and wrote a draft of the article; but Markel was dissatisfied and asked him to rewrite it. Wiener did. But things fell through the cracks and his articles were never published.

Until now.

Per the Times, “almost 64 years after Wiener wrote it, his essay is still remarkably topical, raising questions about the impact of smart machines on society and of automation on human labor. In the spirit of rectifying an old omission,” here are excerpts from The Machine Age.

My favorite one is titled “The Genie and the Bottle”:

These new machines have a great capacity for upsetting the present basis of industry, and of reducing the economic value of the routine factory employee to a point at which he is not worth hiring at any price. If we combine our machine-potentials of a factory with the valuation of human beings on which our present factory system is based, we are in for an industrial revolution of unmitigated cruelty.

We must be willing to deal in facts rather than in fashionable ideologies if we wish to get through this period unharmed. Not even the brightest picture of an age in which man is the master, and in which we all have an excess of mechanical services will make up for the pains of transition, if we are not both humane and intelligent.

Finally the machines will do what we ask them to do and not what we ought to ask them to do. In the discussion of the relation between man and powerful agencies controlled by man, the gnomic wisdom of the folk tales has a value far beyond the books of our sociologists.

There is general agreement among the sages of the peoples of the past ages, that if we are granted power commensurate with our will, we are more likely to use it wrongly than to use it rightly, more likely to use it stupidly than to use it intelligently. [W. W. Jacobs’s] terrible story of the “Monkey’s Paw” is a modern example of this — the father wishes for money and gets it as a compensation for the death of his son in a factory accident, then wishes for the return of his son. The son comes back as a ghost, and the father wishes him gone. This is the outcome of his three wishes.

Moreover, if we move in the direction of making machines which learn and whose behavior is modified by experience, we must face the fact that every degree of independence we give the machine is a degree of possible defiance of our wishes. The genie in the bottle will not willingly go back in the bottle, nor have we any reason to expect them to be well disposed to us.

In short, it is only a humanity which is capable of awe, which will also be capable of controlling the new potentials which we are opening for ourselves. We can be humble and live a good life with the aid of the machines, or we can be arrogant and die.

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Interestingly, I didn’t make the connection to who this Weiner fellow was until I looked him up on Wikipedia. I studied the famous Wiener process (also known as standard Brownian motion) in my graduate course in stochastics.

On the Sky-High Racing Pigeon Market

The Associated Press reports on the lightning-fast pigeon named Bolt, who became the world’s most expensive racing bird when his Belgian breeder sold it for 310,000 euros ($400,000) to a Chinese businessman:

One-year-old Bolt, named after the Jamaican Olympic superstar sprinter Usain Bolt, and with an outstanding pedigree of proven champions to match, was the latest Belgian-bred pigeon to claim record prices. Yet the sums paid surprised anyone involved in the sport, auction house Pipa said. The previous record for a sale of a single bird stood at 250,000 euros ($322,000) from January 2012.

At a time when a crisis is holding Europe in an ever tighter grip, a feathered handful of prime fowl of some 450 grams (a pound) is reaching unparalleled levels. The full auction of the Leo Heremans coop, 530 birds in all, also yielded a world record of 4.345 million euros ($5.58 million) more than double the previous record from last year.

I had no clue there was a market in racing pigeons!
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(via @tylercowen)

Charlie Hoehn on Overcoming Anxiety: Play More

A super post by Charlie Hoehn on how he overcame his anxiety: by incorporating play into his daily life.

The real problem had been my state of mind. I’d become increasingly adept at rejecting any form of “non-productivity.” I couldn’t allow any form of play if it didn’t contribute to earning money or doing something “meaningful.” Even when I was with friends or doing something that was supposed to be fun, I couldn’t stop thinking about all the time I was wasting. I wasn’t being productive; I was losing valuable time. I had to get back to work!

What would the world do without me and my important work?!

Without realizing it, I became very serious, even though I’d never been serious in my entire life. I couldn’t play because that meant I wasn’t working, and I couldn’t really work because I always felt tired and jaded (because I never let myself play!) This resulted in me convincing myself that life was a miserable grind for adults, and that I needed to be very serious if I wanted to get through it. I approached everything this way, and treated my work as a form of self-imposed slavery.

Little did I know how limiting that mindset was, and how much it was hurting the work I was doing.

Play is what has driven and shaped every beautiful part of our culture. Music, concerts, books, cooking, sports, movies, television, fashion, art, video games… We pay for these things so we can experience the fruits of another person’s PLAY.

My favorite bit was probably Charlie’s counter response of having a conversation in a coffee shop to that of going outside and playing catch. Great idea.

Worth reading in entirety.

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NOTE: After reading Charlie’s post, I’ve added Play: How it Shapes the Brain, Opens the Imagination, and Invigorates the Soul to my Amazon wish list.