Why Is China’s Soccer Team So Bad?

You’d think that China, with a population of over a billion people, would be able to field a half-decent soccer team. Unfortunately, you’d be wrong. The only time China qualified for the World Cup finals, in 2002, its side failed to score in any of its three matches. The Chinese soccer team has never won a game at the Olympics. And as this piece in The Economist attests, Chinese players are sometimes too incompetent not only to win matches, but also to rig them:

In a country so proud of its global stature, football is a painful national joke. Perhaps because Chinese fans love the sport madly and want desperately for their nation to succeed at it, football is the common reference point by which people understand and measure failure. When, in 2008, milk powder from the Chinese company Sanlu was found to have been tainted with melamine, causing a national scandal, the joke was: “Sanlu milk, the exclusive milk of the Chinese national football team!

And some interesting trivia from the piece:

With the blessing of the international football body FIFA, China also claims the world’s earliest recorded mention of a sport similar to football, during the Han dynasty in the 2nd century BC. A version of the game cuju, or “kick ball”, involved a single, elevated net and two sides of 12 men.

The declining teenage population playing soccer in China, despite the growing population, is a surprise:

From 1990 to 2000 there were more than 600,000 teenagers in China playing organised football, according to official counts of registered players; from 2000 to 2005 that number dropped to an average of 180,000; today (with statistics kept differently) Chinese football officials estimate the number of teenagers playing some form of organised football to be little more than 100,000.

And some theories on why the Chinese soccer team is so bad:

So whatever ails Chinese football, it is not a lack of passion from the country’s leaders. If anything, the opposite may be the problem. China’s Party-controlled, top-down approach to sport has yielded some magnificent results in individual sports, helping China win more Olympic gold medals in Beijing in 2008 than any other country. But this “Soviet model” has proven catastrophically unsuitable for assembling a team of 11 football players, much less a nation of them.

The first problem is the method of identifying young talent. The sport system selects children with particular attributes, such as long limbs, which could pay off in athletics, rowing, swimming, diving or gymnastics. These youngsters are the genetic wheat. But football’s legends can emerge from the seeming chaff of human physiques: think of stocky Diego Maradona, perhaps the greatest ever player, or his Argentine successor, the tiny genius Lionel Messi.

 

Andrew Sullivan on Blogging

I’ve just stumbled upon Andrew Sullivan’s essay “Why I Blog,” and it is brilliant. The prolific blogger that he is (previously at The Atlanticnow with The Daily Beast), this was a joy to read:

The blog remained a superficial medium, of course. By superficial, I mean simply that blogging rewards brevity and immediacy. No one wants to read a 9,000-word treatise online. On the Web, one-sentence links are as legitimate as thousand-word diatribes—in fact, they are often valued more. And, as Matt Drudge told me when I sought advice from the master in 2001, the key to understanding a blog is to realize that it’s a broadcast, not a publication. If it stops moving, it dies. If it stops paddling, it sinks.

Furthermore, Sullivan explains how blogging is participatory:

To blog is therefore to let go of your writing in a way, to hold it at arm’s length, open it to scrutiny, allow it to float in the ether for a while, and to let others, as Montaigne did, pivot you toward relative truth. A blogger will notice this almost immediately upon starting. Some e-mailers, unsurprisingly, know more about a subject than the blogger does. They will send links, stories, and facts, challenging the blogger’s view of the world, sometimes outright refuting it, but more frequently adding context and nuance and complexity to an idea. The role of a blogger is not to defend against this but to embrace it. He is similar in this way to the host of a dinner party. He can provoke discussion or take a position, even passionately, but he also must create an atmosphere in which others want to participate.

Perhaps my favorite one liner from Sullivan’s piece is this: “A good blog is your own private Wikipedia.” What I post here, for example, I want others to know/learn as well. On at least a half dozen occasions, I have searched through my archives (or via the search box on the right) to find something I linked to that was worth mentioning in a dinner conversation or a friendly dispute with a coworker.

Finally, Andrew’s metaphor for a blogger is spot-on:

There are times, in fact, when a blogger feels less like a writer than an online disc jockey, mixing samples of tunes and generating new melodies through mashups while also making his own music. He is both artist and producer—and the beat always goes on.

The whole piece is a must-read.

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(via Alexis Madrigal)

Who Runs America? The Top 0.1 Percent

I’ve read some interesting factoids about the 1% of the American population, but this post by a money manager who works with ultra-wealthy individuals has a perspective on the upper echelons of the top 1%:

Membership in this elite group is likely to come from being involved in some aspect of the financial services or banking industry, real estate development involved with those industries, or government contracting. Some hard working and clever physicians and attorneys can acquire as much as $15M-$20M before retirement but they are rare. Those in the top 0.5% have incomes over $500k if working and a net worth over $1.8M if retired. The higher we go up into the top 0.5% the more likely it is that their wealth is in some way tied to the investment industry and borrowed money than from personally selling goods or services or labor as do most in the bottom 99.5%. They are much more likely to have built their net worth from stock options and capital gains in stocks and real estate and private business sales, not from income which is taxed at a much higher rate. These opportunities are largely unavailable to the bottom 99.5%.

Recently, I spoke with a younger client who retired from a major investment bank in her early thirties, net worth around $8M. We can estimate that she had to earn somewhere around twice that, or $14M-$16M, in order to keep $8M after taxes and live well along the way, an impressive accomplishment by such an early age. Since I knew she held a critical view of investment banking, I asked if her colleagues talked about or understood how much damage was created in the broader economy from their activities. Her answer was that no one talks about it in public but almost all understood and were unbelievably cynical, hoping to exit the system when they became rich enough.

Folks in the top 0.1% come from many backgrounds but it’s infrequent to meet one whose wealth wasn’t acquired through direct or indirect participation in the financial and banking industries. One of our clients, net worth in the $60M range, built a small company and was acquired with stock from a multi-national. Stock is often called a “paper” asset. Another client, CEO of a medium-cap tech company, retired with a net worth in the $70M range. The bulk of any CEO’s wealth comes from stock, not income, and incomes are also very high. Last year, the average S&P 500 CEO made $9M in all forms of compensation. One client runs a division of a major international investment bank, net worth in the $30M range and most of the profits from his division flow directly or indirectly from the public sector, the taxpayer. Another client with a net worth in the $10M range is the ex-wife of a managing director of a major investment bank, while another was able to amass $12M after taxes by her early thirties from stock options as a high level programmer in a successful IT company. The picture is clear; entry into the top 0.5% and, particularly, the top 0.1% is usually the result of some association with the financial industry and its creations. I find it questionable as to whether the majority in this group actually adds value or simply diverts value from the US economy and business into its pockets and the pockets of the uber-wealthy who hire them. They are, of course, doing nothing illegal.

So who runs America? The author’s conclusion is damning:

A highly complex set of laws and exemptions from laws and taxes has been put in place by those in the uppermost reaches of the U.S. financial system. It allows them to protect and increase their wealth and significantly affect the U.S. political and legislative processes. They have real power and real wealth. Ordinary citizens in the bottom 99.9% are largely not aware of these systems, do not understand how they work, are unlikely to participate in them, and have little likelihood of entering the top 0.5%, much less the top 0.1%. Moreover, those at the very top have no incentive whatsoever for revealing or changing the rules.

Full post here.

The World’s Creepiest Stalker

After reading David Kushner’s piece “The Hacker is Watching” in this month’s GQ, the primary and overwhelming thought I had was this: better place a tape over my webcam as soon as possible. You will probably agree after reading the piece about Luis Mijangos, perhaps the world’s creepiest stalker:

He lived at home with his mother, half brother, two sisters—one a schoolgirl, the other a housekeeper—and a perky gray poodle named Petra. It was a lively place, busy with family who gathered to watch soccer and to barbecue on the marigold-lined patio. Mijangos had a small bedroom in front, decorated in the red, white, and green of Mexican soccer souvenirs, along with a picture of Jesus. That’s where he spent most of his time, in front of his laptop—sitting in his wheelchair…

Mijangos hadn’t always been disabled. As the child of a federal police officer in Mexico City, he’d grown up literally on the run. Whenever he heard a neighbor shout “¡Vienen!” he’d scramble onto his rooftop, watching in fear as strange men approached his front door. “I was terrified, because I knew that my father was in there,” he recalls. The men, federales, used to work with his father, but his dad tired of the corruption on the force and quit to open a seafood restaurant. Now he was just another target for extortion.

It’s a fascinating, yet disturbing, story of someone who felt reborn going into the dark depths of hacking:

Mijangos had one thing to help make him an expert hacker: time, and plenty of it. He spent all day in his wheelchair, digging deeper online. Hackers coalesced as teams, just like his old soccer club, and Mijangos printed up a T-shirt with the name of his squad, cc power (as in credit card). Working with one guy in particular, code name Manhattan, the scam went like this: Using a stolen Social Security number and other personal information, Mijangos would open a bogus merchant account at a bank. He’d then contact Manhattan, who’d charge money to the account using stolen credit card numbers. All the pair needed to do was withdraw cash at will from an ATM and split the profits evenly.

He wasn’t getting rich, but Mijangos says he earned enough to buy a $5,000 titanium wheelchair that he tricked out with $400 wheels. He felt reborn. “When it comes to hacking, yes, I’m not going to deny it—it’s like you feel like you accomplish something,” he says.

The stalker’s reach was unprecedented:

After casing the place for weeks, the feds had finally attained a warrant to search his home. They took everything they could find: four laptops, scattered thumb drives and memory sticks, and a BlackBerry. The archive of voyeurism was staggering: over 15,000 webcam-video captures, 900 audio recordings, 13,000 screen captures. In total, he had infiltrated more than 230 victims, including juveniles. At least one was as far away as New Zealand.

What set off Luis Mijangos on this dangerous, voyeuristic path? Opinions vary, and the author visited the stalker after his sentencing to get a better idea. You should read the piece to assemble a judgment of your own.

On Stolen Bikes

When thieves stole his ­commuter bike on a busy street in broad daylight, Patrick Symmes decided to do something about it: he wrote this outstanding piece for Outside Magazine.

With the rise of the bicycle age has come a rise in bicycle robbery: FBI statistics claim that 204,000 bicycles were stolen nationwide in 2010, but those are only the documented thefts. Transportation Alternatives, a bicycle advocacy group in New York City, estimates the unreported thefts at four or five times that—more than a million bikes a year. New York alone probably sees more than 100,000 bikes stolen annually. Whether in big biking cities like San Francisco and Portland, Oregon, or in sport-loving suburbs and small towns, theft is “one of the biggest reasons people don’t ride bikes,” Noah Budnick, deputy director of Transportation Alternatives, told me. Although bike commuting has increased by 100 percent in New York City during the past seven years, the lack of secure bike parking was ranked alongside bad drivers and traffic as a primary deterrent to riding more. It’s all about the (stolen) bike; even Lance Armstrong had his custom time-trial Trek nicked from the team van in 2009 after a race in California. Not every bike is that precious, but according to figures from the FBI and the National Bike Registry, the value of stolen bikes is as much as $350 million a year. 

I suppose the “business” of bike theft has its merits because:

Bikes are portable and easily converted to cash, and they usually vanish without a trace—in some places, only 5 percent are even reported stolen. Stealing one is routinely treated as a misdemeanor, even though, in the age of electronic derailleurs and $5,000 coffee-shop rides, many bike thefts easily surpass the fiscal definition of felony, which varies by state but is typically under the thousand-dollar mark. Yet police departments are reluctant to pull officers from robberies or murder investigations to hunt bike thieves. Even when they do, DAs rarely prosecute the thieves the police bring in.

Symmes also mentions that bikes may be sold far from where they were stolen:

In Miami in the 1980s, police found six freighters in the harbor holding hundreds of stolen bicycles, possibly headed for Haiti. Many bicycles stolen in Oregon crop up in San Francisco, evidence of an export network. In California, the Border Patrol has repeatedly caught pickup trucks entering Mexico that had been stuffed with high-end bikes stolen in Santa Cruz; drug dealers there take payment in valuable bikes, which they resell to the Mexican elite. 

A very interesting read in which we come to understand that on America’s rough streets, bicycles are a form of currency as liquid as cash and drugs.

Plato’s Allegory of the Cave and Addiction

I first learned about Plato’s Allegory of the Cave (if you’ve never read it, pause and read the full text here) in a Georgia Tech humanities course (full list of courses here).

In the allegory, Plato allows Socrates to describe a group of people who have lived chained to the wall of a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall by things passing in front of a fire behind them, and begin to ascribe forms to these shadows. According to Plato’s Socrates, the shadows are as close as the prisoners get to viewing reality. To them, shadows are reality. He then explains how the philosopher is like a prisoner who is freed from the cave and comes to understand that the shadows on the wall do not make up reality at all, as he can perceive the true form of reality rather than the mere shadows seen by the prisoners.

Outside of the philosophical comparison, I hadn’t seen many other writers invoke the allegory to describe an experience. But Peg O’Connor does this brilliantly in her reflective essay “In the Cave: Philosophy and Addiction.” She writes:

This allegory is richly wonderful for understanding addiction, relapse and recovery. Most people who become addicted become enchained to their drug of choice. The word “addiction” comes from the Latin verb “addicere,” which means to give over, dedicate or surrender. In the case of many alcoholics, for instance, including my own, this is just what happens. What had perhaps started as fun and harmless use begins to grow troubling, painful and difficult to stop. The alcoholic becomes chained to alcohol in a way different from others who “drink normally.”

In various scenarios of addiction, the addicted person’s fixation on a shadow reality — one that does not conform to the world outside his or her use — is apparent to others. When the personal cost of drinking or drug use becomes noticeable, it can still be written off or excused as merely atypical. Addicts tend to orient their activities around their addictive behavior; they may forego friends and activities where drinking or drug use is not featured. Some may isolate themselves; others may change their circle of friends in order to be with people who drink or use in the same way they do. They engage in faulty yet persuasive alcoholic reasoning, willing to take anything as evidence that they do not have a problem; no amount of reasoning will persuade them otherwise. Each time the addict makes a promise to cut down or stop but does not, the chains get more constricting.

Yet for many reasons, some people begin to wriggle against the chains of addiction. Whether it is because they have experiences that scare them to death (not uncommon) or lose something that really matters (also not uncommon), some people begin to work themselves out of the chains. People whose descent into addiction came later in life have more memories of what life can be like sober. Some will be able to turn and see the fire and the half wall and recognize the puppets causing the shadows. Those whose use started so young that it is all they really know will often experience the fear and confusion that Plato described. But as sometimes happens in recovery, they can start to come out of the cave, too.

The brightness of the light can be painful, as many alcoholic or drug dependent people realize once their use stops. Those who drank or used drugs to numb feelings or avoid painful memories may feel defenseless. This is why they will retreat back to the familiar darkness of the cave. Back with their drinking friends, they will find comfort. This is one way to understand relapse.

Others will make it farther out of the cave and have their eyes adjust. They will struggle to stay sober and balanced. So many of their old coping behaviors will not work, and they are faced with a seemingly endless task of learning how to rebuild their emotional lives. Some will stay clean and sober for a good while and later relapse. People relapse for all sorts of reasons, and often these have to do with old patterned ways of thinking and behaving that make a roaring comeback. When people who have had some sobriety relapse and go back to the darkness of the cave, they may be met with derision ― an “I told you so” attitude.

Those who do make it out of the cave and manage never to relapse again are few and far between…

Peg O’Connor also mentions other allegories in her post: Montaigne’s cat, Kierkegaard’s leap of faith, Nietzsche’s myth of eternal recurrence, and Wittgenstein’s fly in the fly bottle. You can imagine what kind of rabbit hole those references opened up…

Pico Iyer: In Praise of the Long Sentence

Pico Iyer has a beautiful, poignant essay in The Los Angeles Times, praising the long and winding sentence. He argues that writing longer phrases is a way to protest the speed of information bites people are subjected to daily:

Yet nowadays the planet is moving too fast for even a Rushdie or DeLillo to keep up, and many of us in the privileged world have access to more information than we know what to do with. What we crave is something that will free us from the overcrowded moment and allow us to see it in a larger light. No writer can compete, for speed and urgency, with texts or CNN news flashes or RSS feeds, but any writer can try to give us the depth, the nuances — the “gaps,” as Annie Dillard calls them — that don’t show up on many screens. Not everyone wants to be reduced to a sound bite or a bumper sticker.

Enter (I hope) the long sentence: the collection of clauses that is so many-chambered and lavish and abundant in tones and suggestions, that has so much room for near-contradiction and ambiguity and those places in memory or imagination that can’t be simplified, or put into easy words, that it allows the reader to keep many things in her head and heart at the same time, and to descend, as by a spiral staircase, deeper into herself and those things that won’t be squeezed into an either/or. With each clause, we’re taken further and further from trite conclusions — or that at least is the hope — and away from reductionism, as if the writer were a dentist, saying “Open wider” so that he can probe the tender, neglected spaces in the reader (though in this case it’s not the mouth that he’s attending to but the mind).

Pico carefully lambasts the short sentence and then mentions authors who thrive on the long sentence:

The short sentence is the domain of uninflected talk-radio rants and shouting heads on TV who feel that qualification or subtlety is an assault on their integrity (and not, as it truly is, integrity’s greatest adornment).

If we continue along this road, whole areas of feeling and cognition and experience will be lost to us. We will not be able to read one another very well if we can’t read Proust’s labyrinthine sentences, admitting us to those half-lighted realms where memory blurs into imagination, and we hide from the person we care for or punish the thing that we love. And how can we feel the layers, the sprawl, the many-sidedness of Istanbul in all its crowding amplitude without the 700-word sentence, transcribing its features, that Orhan Pamuk offered in tribute to his lifelong love?

Interestingly, Iyer finds Henry James unreadable (I think The Turn of the Screw is an easy read, while The Portrait of a Lady was a challenge for me):

Not every fashioner of many-comma’d sentences works for every one of us — I happen to find Henry James unreadable, his fussily unfolding clauses less a reflection of his noticing everything than of his inability to make up his mind or bring anything to closure: a kind of mental stutter. But the promise of the long sentence is that it will take you beyond the known, far from shore, into depths and mysteries you can’t get your mind, or most of your words, around.

Perhaps my favorite part of Iyer’s essay:

But we’ve got shortness and speed up the wazoo these days; what I long for is something that will sustain me and stretch me till something snaps, take me so far beyond a simple clause or a single formulation that suddenly, unexpectedly, I find myself in a place that feels as spacious and strange as life itself.

The long sentence opens the very doors that a short sentence simply slams shut.

A beautiful, must-read. Writers: are you paying attention?

What Is It Like Being a Conductor?

What does a conductor do? And what does conducting feel like? David Anderson sought to find out. In this piece in New York Magazine, he describes how he led a rehearsal of Mozart’s six-minute overture to Don Giovanni. His guides in the process: Alan Gilbert, the music director of the New York Philharmonic, and James Ross, who with Gilbert runs the Juilliard School’s conducting program. What Davidson discovers is that conducting is therapeutic, beautiful, and addictive.

A harsh perspective on the conductor (perhaps deserving no credit for his work; maybe you feel the same way?):

Audiences wonder whether he (or, increasingly, she) has any effect; players are sure they could do better; and even conductors occasionally feel superfluous. “I’m in a bastard profession, a dishonest profession,” agonized Dimitri Mitropoulos, who led the New York Philharmonic in the fifties. “The others make all the music, and I get the salary and the credit.” Call it the Maestro Paradox: The person responsible for the totality of sound produces none.

This is a wonderfully descriptive paragraph:

Not only am I letting the musicians in on my own inner life, I’m also asking them to express it for me. The idea of conducting as a kind of emotional ventriloquism helps deal with one especially thorny bit of the Maestro Paradox: Leadership requires confidence that is difficult to acquire and impossible to fake. Orchestras are psychic X-ray machines. They judge a new chief within minutes, and once scorn sets in, forget it. I’m going to have to project the sense that I am entitled to be there, and first, I must convince myself.

On the addictive power of lifting and moving the baton:

Lifting the baton feels a little like getting ready to push off from the top of a ski slope, in that I’ll move in the right direction whatever I do, and also because fear will cause disaster. Neither fact is comforting. My downbeat is stiff, and the great D-minor wobbles accordingly…Okay, now it’s hanging together. I try a third time, and I focus on the sound. I turn my left palm upward as if to hold an imaginary grapefruit and try to feel the baton cutting through some viscous medium, meeting resistance. Suddenly, the big chords acquire a rounded glow. Cellos and basses toll like a great bell, and the violins echo their answer on the offbeats. I have seen conductors shape music with their hands like clay, and now I’m doing it. It is a powerfully addictive feeling.

On interacting with the musicians as Davidson is conducting:

As we power toward the final cadence and I exchange glance after glance with the young musicians, it occurs to me that they are bombarding me with unspoken questions and it’s my job to convey answers. That’s what a conductor does: mold an interpretation by filtering the thousands of decisions packed into every minute of symphonic music. The clarinetist inclined to add a little gleam to a brief solo by slowing down slightly, the tuba player preparing for a fortissimo blast after twenty minutes of nothing—each will look to the podium for a split-second shot of guidance, and the conductor who meets those fleeting inquiries with clarity and assurance will get a more nuanced performance. My efforts haven’t made me a good conductor, or even a mediocre one, but they have given me the glimmerings of competence—an intoxicating taste of what it might feel like to realize the fantasy of my boom-box days.

While the piece leaves something to be desired (namely, the technical details of conducting), it is gorgeously written. I quite enjoyed it.

On YouTube

John Seabrook’s New Yorker piece “Streaming Dreams” explores, in-depth, the development and growth of YouTube. It’s well worth the read.

On the first video ever uploaded to YouTube:

On the evening of April 23, 2005, Karim uploaded the first video to YouTube—an eighteen-second clip of him, standing in front of the elephant enclosure at the San Diego Zoo, wearing an ill-fitting hiking jacket. He says, “The cool thing about these guys is that they have really, really, really long trunks, and that’s cool,” smirks a little, and ends with “And that’s pretty much all there is to say.” Civilization would never be the same.

On the immensity and growth of YouTube:

Today, it has eight hundred million unique users a month, and generates more than three billion views a day. Forty-eight hours of new video are uploaded to the site every minute. According to Nielsen, it drew eight times more video viewers last year than Hulu, which is jointly owned by NBCUniversal, News Corporation, and the Walt Disney Company, among others. It is the first truly global media platform on earth.

There is the premise of users and consumers in the piece. I am strictly a consumer: I’ve never uploaded a single video to YouTube.

The Dangers of Yoga

In the latest issue of New York Times Magazine, we learn about the dangers of yoga:

…A number of factors have converged to heighten the risk of practicing yoga. The biggest is the demographic shift in those who study it. Indian practitioners of yoga typically squatted and sat cross-legged in daily life, and yoga poses, or asanas, were an outgrowth of these postures. Now urbanites who sit in chairs all day walk into a studio a couple of times a week and strain to twist themselves into ever-more-difficult postures despite their lack of flexibility and other physical problems. Many come to yoga as a gentle alternative to vigorous sports or for rehabilitation for injuries. But yoga’s exploding popularity — the number of Americans doing yoga has risen from about 4 million in 2001 to what some estimate to be as many as 20 million in 2011 — means that there is now an abundance of studios where many teachers lack the deeper training necessary to recognize when students are headed toward injury. “Today many schools of yoga are just about pushing people,” Black said. “You can’t believe what’s going on — teachers jumping on people, pushing and pulling and saying, ‘You should be able to do this by now.’ It has to do with their egos.”

Seems like The Times is starting off the year with some controversial health articles. I highlighted “The Fat Trap” previously.