Salman Rushdie on Worldwide Censorship

In an interview published at The Atlantic, Salman Rushdie shares his thoughts on censorship (particularly in China):

Q: Why do governments fear literature? Wouldn’t, say, the Chinese Communist Party be better off letting its writers write fiction without harassment?

Rushdie: I’ve always thought of it this way: Politicians and creative writers both try and shape visions of society, they both try and offer to their readers or to the public a view of the world, or a vision of the world, and these visions of the world are at odds with authoritarian regimes. Those regimes attempt to shut down the limits of the possible while fiction tries to push out the limits of the possible. So in effect their visions are in opposition to each other.

Rushdie thinks censorship has gotten worse in the last twenty years:

Q: Nearly a quarter century has passed since you were forced into hiding by the Ayatollah’s fatwa. In the ensuing years, how would you assess the worldwide climate for censorship? Have things generally gotten better, or worse?

Rushdie: I’d say that, in general, they’ve gotten worse. But one of the things our report highlights is that people have more tools to resist censorship using new media. For instance, in China,  while there’s increased repression in the form of arbitrary arrests, artists held incommunicado and put under house arrest, and increasing hostility towards literature and free expression, there is at the same time a growing willingness of Chinese citizens to find ways to express themselves. In spite of all the repression, there’s been a  growth of independent, non-state publishers to print things that wouldn’t be approved by state houses, and people have shown the willingness to post things online even if they’re not to the liking of the state.

Full interview here.

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(via Andrew Sullivan)

On Algorithmic Gatekeepers

Writing for the opinion section of The New York Times, Evgeny Morozov characterizes “one dimensional” algorithms which censor the Web:

The proliferation of the Autocomplete function on popular Web sites is a case in point. Nominally, all it does is complete your search query — on YouTube, on Google, on Amazon — before you’ve finished typing, using an algorithm to predict what you’re most likely typing. A nifty feature — but it, too, reinforces primness.

How so? Consider George Carlin’s classic comedy routine “Seven Words You Can Never Say on Television.” See how many of those words would autocomplete on your favorite Web site. In my case, YouTube would autocomplete none. Amazon almost none (it also hates “penis” and “vagina”). Of Carlin’s seven words, Google would autocomplete only “piss.”

Until recently, even the word “bisexual” wouldn’t autocomplete at Google; it’s only this past August that Google, after many complaints, began to autocomplete some, but not all, queries for that term. In 2010, the hacker magazine 2600 published a long blacklist of similar words. While I didn’t verify all 400 of them on Google, a few that I did try — like “swastika” and “Lolita” — failed to autocomplete. Is Nabokov not trending in Mountain View? Alas, these algorithms are not particularly bright: unable to distinguish between Nabokov’s novel and child pornography, they assume you want the latter.

Why won’t tech companies let us freely use terms that already enjoy wide circulation and legitimacy? Do they fashion themselves as our new guardians? Are they too greedy to correct their algorithms’ mistakes?

Thanks to Silicon Valley, our public life is undergoing a transformation. Accompanying this digital metamorphosis is the emergence of new, algorithmic gatekeepers, who, unlike the gatekeepers of the previous era — journalists, publishers, editors — don’t flaunt their cultural authority. They may even be unaware of it themselves, eager to deploy algorithms for fun and profit.

“I, for one, welcome our new algorithmic overlords.” –Said almost no one.

How Movies Are Censored in Iran

Max Fisher writes a column in The Atlantic on the technology used to censor films in Iran:

Censoring foreign movies used to mean simply pulling out the scissors, cutting away inappropriate scenes and shots until the film was a good deal shorter and made a lot less sense. But, in 2010, Iranian authorities acquired new technology allowing them to manipulate images and dialogues into Islamic inappropriateness. 
 
“Romantic dialogue is often changed. For example, it isn’t proper for a woman to say to her partner, ‘I love you,'” Iranian journalist Reza Valizadeh explained to Radio Free Europe’s Golnaz Esfandiari in a 2010 interview. “It’s clear how dialogue about sexual proposals is dealt with — they are changed to marriage proposals. Also we see that beer becomes lemonade on state television and whiskey becomes orange juice. Also dialogue about politics is often changed.”
 
Censors will sometimes edit immodest images — whether it’s a man and woman sitting too closely, someone drinking a cocktail, or even an open neckline — by cutting the offending person or object or by simply placing some visual obstacle. The Iranian film fan site CaffeCinema.com put together a series of side-by-side comparisons showing the before-and-after of this new censorship technique. 
Click through to see startling examples of censorship in the post.

Links of the Day (01/12/10)

Two must-read posts from today, one slightly humorous and the other much less so.

(1) “Conan O’Brien Says He Won’t Host ‘Tonight Show’ After Leno” [New York Times] – Conan came out with a marvelous statement saying that hosting The Tonight Show after midnight will “will seriously damage what I consider to be the greatest franchise in the history of broadcasting.” The statement is so bold and refreshing that perhaps he should have started the statement with “Inhabitants of the Universe” rather than the more mundane “People of Earth.”

(2) “A New Approach to China” [Official Google Blog] – in this groundbreaking post, Google outlines a “highly sophisticated and targeted attack” on their infrastructure coming from China. The entire post is a must-read, and the conclusion cannot be missed:

We have decided we are no longer willing to continue censoring our results on Google.cn, and so over the next few weeks we will be discussing with the Chinese government the basis on which we could operate an unfiltered search engine within the law, if at all. We recognize that this may well mean having to shut down Google.cn, and potentially our offices in China.

Robert Scoble called it the “bravest corporate move I’ve ever seen a tech company make.” I think it’s a very strong statement, but we shall see how Google actually responds in the coming weeks.

Update: Another worthy reaction to the Google news comes via Jeff Jarvis, author of What Would Google Do?. Jeff Jarvis writes:

I have been consistent in my criticism of Google’s actions in China. And so now I have not choice but to become even more of a fanboy. I applaud Google for finally standing up to the Chinese dictatorship and for free speech.

Will the Chinese people revolt at losing Google? We can only hope. Will other companies now have to hesitate before doing the dictators’ bidding? We can only hope. Will Google be punished by Wall Street? It probably will. But as I’ve argued, we should hope that Google’s pledge, Don’t be evil, will one day be chiseled over the doors of Wall Street.