The Secrets of Snow-Diving Foxes

This is a super interesting article by NPR’s Robert Krulwich, who summarizes research on why snow foxes jump the way they do in hunting for prey:

When they looked at each other’s notes, the researchers saw a pattern: For some reason, Czech foxes prefer to jump in a particular direction — toward the northeast. (To be more precise, it’s about 20 degrees off “magnetic north” — the “N” on your compass.) As the video above says, most of the time, most foxes miss their targets and emerge covered in snow and (one presumes) a little embarrassed. But when they pointed in that particular northeasterly direction, Ed writes, “they killed on 73 percent of their attacks.” If they reversed direction, and jumped exactly the opposite way, they killed 60 percent of the time. But in all other directions — east, south, west, whatever — they sucked. Only 18 percent of those jumps were successful.

Here’s a video of a hunting fox in action:

What it Takes to Air a Football Game on FOX

Writing in The Verge, David Pierce traces what it takes for FOX to air a football game on a given Sunday. FOX is the network broadcasting the Super Bowl in 2014, so every game is essentially a preparation for the team that brings us close to the action on our televisions:

It starts at 6AM on Saturday, in the cold, dark Foxboro morning, as the Fox team shows up to unload three 53-foot trucks. Stadiums don’t have much in the way of built-in A / V equipment, so Fox (and every other network) carries everything the crew will need for the weekend inside those trucks — the show has to be built and broken down every weekend. This Saturday, it has to be even faster: there’s a college football game at 4PM.

Kevin Callahan, Fox’s director of technical operations, estimates Fox credentialed between 150 and 200 people for the weekend, from Troy Aikman and director Rich Russo to runners and microphone holders. The network brings in about $25 million worth of equipment, with thousands of individual parts. (Callahan is reluctant to even guess at the number: “It depends on how small you want to get,” he says. “I mean, the production switcher alone has 1,000 buttons on it.”) Callahan and his crew have to wire the entire stadium, rig up cameras and audio, and make sure hundreds of different parts are able to connect to each other. “This is actually a very well-oiled machine,” he says. “The mobile units that we’re using here were designed in 2005 and 2006 — at the time they were eight years ahead of their time.”

In one truck, graphics and production. In another, 20 feet away in the concrete garage underneath the stands, replay and audio. Russo estimates he has 15 cameras and 13 tape machines this week, capturing and replaying angles from all over the stadium — there’s even a helicopter flying around shooting from above. The graphics team, eight or so young guys in polo shirts, is preparing more than 1,000 graphics, with every record or outcome accounted for. Rich Russo and producer Richie Zyontz talk to everyone through speakers and headsets, voicing their constant chatter to the 150-member Fox crew throughout the weekend. Colby Bourgeios, the team’s technical director, sits at his giant switcher ready to put any camera, any person, any replay on TV with the press of one of a thousand buttons. Audio consultant Fred Aldous watches and listens on his own console, making sure everything sounds as good as it looks — in stereo and 5.1-channel surround sound.

Eventually, nearly everyone says, you just learn to do it by feel.

This bit on 4K television was interesting:

Fox has been using 4K cameras for three years, but not to broadcast the game, which the crew says would be pointless given current bandwidth and TV technology. It’s all about replay. “We can do things like zoom in, look at a guy’s foot… we can see precisely a nice, solid foot, and a line right there, and know that the guy is in,” says Colby Bourgeios, Fox’s technical director. This year is about fine-tuning — finding the right camera, the right lens, the right capture and extraction devices. But even when 4K works convincingly, Callahan says, “we need it to be the first or second replay. If we were to sit there and have a 4K replay that we could show two plays later… and that would have reversed the official’s call, well, that’s awful.” He won’t add anything to the Fox broadcast that will slow it down, or impede it in any way.

Good read if you’re into football and/or sports.

Arrested Development is Coming Back!

Anyong! This is probably the most exciting TV-related news I’ve heard in the past six months. According to the New York Times, Arrested Development is coming back for a full-season. But there’s more, for all you never-nude fans: they’re also going to make a movie!

Anyone else as excited as I am?

The first episode…could focus on Buster Bluth, the deeply neurotic brother played by Tony Hale. “The latest joke we have,” Mr. Hurwitz said, “is that it’s Cambridge, Mass., and there’s all these scientists in lab coats and they’re waiting for somebody. Buster comes through the door in a white lab coat – ‘Let’s begin’ – and they say, ‘Oh, no, you don’t get to wear the lab coat. We’re experimenting on you.’ ”

I’ve recently been thinking about my top five favourite TV shows. Arrested Development is in the top five, and certainly number 1 in the comedy department.